Our sculpture shares many similarities with a superb Saint Jerome dating from the very early fifteenth century hold in the Museo degli Affreschi G.B. Cavalcaselle in Verona. Believed to have been made in Verona by a Venetian workshop, this sculpture shows the Father of the Church as a cardinal in a configuration identical to that of our Saint Anthony, in a half-bust, holding attributes in both hands. Marked by the same deep nasolabial folds inherited from the art of the Master of Saint Anastasia, but also by the same determined mouth and the same small almond-shaped eyes with underlined eyelids, the faces of the two saints seem to be superimposed. This obvious stylistic correspondence, coupled with the similar treatment of the two saints’ tunics, encourages us to see the two works as the work of one and the same artist, active in Verona in the early 15th century. The similarity of the two compositions, as well as their identical material and dimensions, suggest that these two fragmentary figures may once have belonged to the same large-scale Veronese sculptural programme.